Walking Through the
Valley of Bob Dylan
(and the Shepherd who led me
there)
When giving Bob Dylan’s rock and roll hall of fame induction
speech, Bruce Springsteen said “the pop of the snare drum at the opening of Like A Rolling Stone was like the sound
of someone kicking open a door in my mind.” He went on to talk about how the
first time he heard a Bob Dylan song he was riding in the car with his mother
and she opined, as a lot of mothers in the sixties did, “He can’t sing”.
For a long time I held that same opinion. It was hard for me to listen to a Dylan song
in its entirety for that very reason.
His voice is as irritating to my ears as a whiny child in Wal-Mart on
New Year’s Day when I’ve gone in to purchase Tylenol and an ice pack for my
post-celebratory hangover. I can enjoy
his songs when placed in the hands and voices of other artists, such as Billy
Joel’s inspired version of To Make You
Feel My Love or Hendrix’ blistering send up of All Along The Watchtower but to sit and listen to Dylan himself? I
think waterboarding might be a more enjoyable experience.
And then, about a year ago, I met a guy who is undeniably
the biggest Bob Dylan fan I have ever known.
One night, while sharing a bottle of good champagne and discussing all
manner of deep and meaningful things – as was our penchant to do – we hit, once
again, upon the topic of Bob Dylan’s music.
He pointed out to me that, being adept at turning a phrase, I should be
more open to listening to Dylan’s beautiful words in Dylan’s own voice. I explained to him – again – that it is most
difficult to appreciate a beautifully written lyric when all one can think
about is stabbing their ear drum with an ice pick. He asked if I would be willing to watch a
biographical documentary film with him on the topic of Dylan’s music. After a little debate on the matter, and
being tickled and kissed into submission, I graciously relented.
The things a woman will do for the man she
loves!
We snuggled up on the sofa with the wine between us, and
settled in to watch. He held me close as
one would hold a terrified child in a thunder storm. I’m not entirely certain if he was attempting
to make the experience more comfortable for me or if he was trying to prevent
my escape, but between his strong, comforting embrace and the champagne, I soon
relaxed into it.
The film was, in its
own right, entertaining and informative and I would have enjoyed watching it
for that reason alone. But what
enthralled me was the passion displayed on Shepherd’s face as he discussed one
pivotal point or the other. The joy and
rapture that danced in his beautiful brown eyes as the music washed over us. He was totally animated and alive. I imagine I
look much the same way when listening to Jackson Browne. I began to wonder what it was about this music
that could so entrance him and I determined that I was going to find out.
The next day, I dutifully scrolled the musical offerings on
iTunes and made a few choice selections.
Start slow and pace yourself, I thought. Like the novice I am, I began
with the Bob Dylan primary. I downloaded
Like a Rolling Stone, Blowing in the
Wind, To Make You Feel My Love, and A
Hard Rain’s Gonna Fall, the last being
Shepherd’s favorite. I then googled
and downloaded the lyric sheets to all the songs, a necessity when attempting
to understand a singer who sounds like he’s either speaking in tongues or
cannot read the words on the lyric sheet before him because he forgot his
glasses. I made up my mind I was going
to make a full study of the songs and the lyrics even if it induced a migraine
of epic proportions. I had to unlock the
source of that look of rapture on Shepherd’s face.
Over the next few weeks, whenever a Dylan song came across
my iPhone playlist, I listened intently to the melody, the lyrics and the raw
nasal inflections that give the music its texture. I realized that, while I still preferred
other voices to Dylan’s own, that strained grasping voice was indeed the
perfect complement to the songs and their meanings. The sixties were not always groovy – make love
not war. It was a time of strife and the struggle of a young generation to make
its collective voice heard. That voice
was brash and demanding and Dylan’s hardcore style reflected it perfectly. I began to have a new appreciation for the
artist inside the man and could even admit that I finally got why he was such a
big deal. He was truly the prophet of
his time, the voice crying in the wilderness. But I could not capture that aspect of near –
holiness that lit up Shepherd’s eyes.
I didn’t know it then, but that night was apparently the
last I would spend with him. I’ve
neither seen nor heard from him in months and he no longer returns my
messages. It gives me great sadness to
think that I may never again stare intently into those big brown eyes, little
flecks of gold dotted through them, and watch them flash and sparkle when I say
something particularly witty – or stupid; that I may never again spend an
evening arguing points of religion, philosophy, and metaphysics with him over a
bottle of good champagne. Or that I may
never again be cuddled peacefully into those strong arms, watching a movie
together and sharing wine-flavored kisses as he absently runs his fingers
through my hair.
I miss him.
Today was a stunningly gorgeous spring day. Having nothing better to do, I laced up my
hiking boots, grabbed a couple bottles of cold water, popped my ear phones in
and set out on the wooded trails behind my house. I was walking along, soaking up the sunshine,
completely happy and at peace with the world. I was deep in the woods, making my way
carefully on the downward slope of a valley when suddenly, twisting into my
brain from the ear phones, came Dylan’s A
Hard Rain’s Gonna Fall. There is no pop of a snare drum on that song but,
as Springsteen went before me, somewhere in my mind a door kicked open. I got it.
I understood, finally, the beauty of that tight, strained, off-key
voice. I didn’t just hear the lyrics, I
saw the pictures that were painted within.
I felt the anguish, the anger, the fear, the dismay at what was
happening to this man’s world. By the
time Dylan was singing about “walking to the depths of the deepest dark forest”
I was on my knees there in the valley of the forest trail, weeping unabashedly,
completely surrendered to and enraptured by the majesty of that heartbreaking
song. I had found that place of near – holiness.
I wept for my
generation and all that we have endured and struggled through to get to where
we are now. From the injustices of the civil
rights movement and the horror that was the Vietnam War to the anguish of
watching so many of our peers fall under the spell of drug and alcohol
addictions. We have seen so much. It is to us that Dylan queries “What did you
see my darling young one.”
I wept because I finally understood the look of rapture on
Shepherd’s face, the way those eyes of his danced with joy, full of love and
tenderness, as he talked about singing this song as a lullaby to his blue-eyed son. I wept because I had never inspired that look on his face.
I suppose mostly, I wept for myself. Those haunting words kicked open a door in my
mind and shattered my heart. And the one person in the world I most wanted to
share my new-found liberation with was turning a deaf ear to me; why I do not
know. Maybe my weeping was simply a
response to the pain of missing him and the song merely the catalyst that
sparked it. After all, it is his
favorite song, of course it reminds me of him.
But, when the song was over and my tears subsided, my joy
and peacefulness returned to overflowing and I found myself dancing and
skipping my way back home. It was like a
new drug, and I wanted more! I came in and downloaded two complete Bob Dylan
albums. Tonight, after I've tended to a
few household chores, I will relax in the bathtub with my headphones on, full
wine glass in hand, and listen intently to each and every song. I will think of Shepherd, of course, and I
will smile. And if anyone would happen
to be watching, they would see a look of radiant joy, love and tenderness in my
deep blue eyes.
Everyone who comes into our lives comes for a reason. And each person we meet has a gift for us;
something to teach us if we are willing to learn and accept it. Bob Dylan came into the lives of a generation
on the cusp of adulthood and, with his gift of music, kicked open the door and
set captive minds free.
Shepherd came
into my life and gave me the gift of Bob Dylan – and of himself. A more beautiful man, inside and out, I have never
known. In the year I spent with him, he
taught me grace, patience, an appreciation for fine champagne, how to love
someone without needing to possess them, and the beauty of a fragile heart. I’m so thankful for the wild and free winds of
change that blew him into my life and I pray that one day soon, it will blow
him back my way.